Time enjoyed wasting, is not wasted time.

X Files all day. 

X Files all day. 

(Source: nineeyedmonster)

blakegopnik:

DAILY PIC: The space shuttle Enterprise was unveiled today, in its new home on the decks of the Intrepid Sea, Air and Space Museum, a former aircraft carrier moored off Manhattan. In yesterday’s Daily Beast, I claimed that the shuttle’s radical functionalism helps explain much of 1970s design – especially of mass-market products such as the first Walkman and Apple II computer. The one fancy designer who may have gone down the same road is the Italian Mario Bellini – who designed this A4 Programmable Accounting Invoicing Machine for Olivetti in 1973. (It is now in the MoMA collection.) Raymond Guidot, the French design expert, says that Bellini came to Olivetti as “the champion of utter rationalism.” Though Bellini’s earlier works were Braun-slick, without a bump in site, this design seems deliberately clunky, separating out each piece of the machine – keypad, paper support, roller knobs – according to the function it serves. It’s an anti-design design, worthy of a Black and Decker Workmate. (© 2012 Mario Bellini; image courtesy the Museum of Modern Art)
For a full visual survey of past Daily Pics visit blakegopnik.com/archive. The Daily Pic, along with more global art news, can also be found on the  Art Beast page at thedailybeast.com.

blakegopnik:

DAILY PIC: The space shuttle Enterprise was unveiled today, in its new home on the decks of the Intrepid Sea, Air and Space Museum, a former aircraft carrier moored off Manhattan. In yesterday’s Daily Beast, I claimed that the shuttle’s radical functionalism helps explain much of 1970s design – especially of mass-market products such as the first Walkman and Apple II computer. The one fancy designer who may have gone down the same road is the Italian Mario Bellini – who designed this A4 Programmable Accounting Invoicing Machine for Olivetti in 1973. (It is now in the MoMA collection.) Raymond Guidot, the French design expert, says that Bellini came to Olivetti as “the champion of utter rationalism.” Though Bellini’s earlier works were Braun-slick, without a bump in site, this design seems deliberately clunky, separating out each piece of the machine – keypad, paper support, roller knobs – according to the function it serves. It’s an anti-design design, worthy of a Black and Decker Workmate. (© 2012 Mario Bellini; image courtesy the Museum of Modern Art)

For a full visual survey of past Daily Pics visit blakegopnik.com/archive. The Daily Pic, along with more global art news, can also be found on the  Art Beast page at thedailybeast.com.